Bio...

 Raised under assimilationist theory of the 1960s. Of German, Celtic and Ngati Kahungunu descent Maiia is a visual artist exploring themes of pre-modernism, post-colonialism as well as personal and cultural identity from A remote tropical city.

  

Maiia- painter, photographer and armchair philospher from Gisborne, Aotearoa. Editor at Brindle Style Artists and Musicians Forum (2003)   Cairns Indy-Media  photo

Norma Rolfe (mother)  

 That Wholistic Green Theme  

  

Maiia Brindle"Pre-modernism seems to be the grounding the European diaspora are looking for. The archetypal journey to the heart that literally connects the left and right hemispheres of the brain and the paradoxical experiences of duality that I call the righteousness and the wrongteousness.

 

Some folks speak of homeostasis, of the Mother Earth rebalancing teaching her children to have humbleness and respect.  

Americans may call it the archaic revival, Europeans - primitivist anarchism.  

 

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Maiia "Every community, culture and society has it's own potential for intellectual and philosophical wealth. 
The High Cost of Low Expectations
 Maori writing music and artwork was a strong foundation in the importance of having and maintaining an ongoing cultural narrative.   The European tales we were taught in New Zealand were too far away (and upside down)
 

 

 

Like a window opening on reality, a big breath of fresh Aotearoa air 
The New Net Goes Fishing 1977 by  Local author Witi Ihimaera 
ushered in those dangerous ideas on Indigenous self-determination and post-colonialism.
 
 
 

The first contemporary Maori artwork I saw was fine pen and ink drawing.  Like illuminated manuscript, like old childrens story books.  I was enthralled by the craft-skill."   

 

 

Warrior Spirit  A commitment to working with colour and paint came along in the form of Australian expressionist and installation artist Norma McCarthy of Mossman in far north Queensland.  

 
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